Blanchot

Kevin Hart and the outside

There are two reasons why listening to Kevin Hart's interview on the Hermitix podcast, and reading his new collection and The Dark Gaze for the second time, has helped me to recognise what I have forgotten, missed, misconst…

“Can there be a pure narrative?”

The question opening Maurice Blanchot’s essay The Experience of Proust* has always drawn me back, not to secure a yes or a no, but to keep the question of pure narrative open in its initial uncertainty, perhaps, rather, in its i…

Axe-books of the year

A book must be the axe for the frozen sea inside us , says Kafka in the famous letter. I wondered what this might mean as the 'books of the year' lists began to appear last month. Imagine if each contributor constraine…

Smothered Words by Sarah Kofman

Sarah Kofman wrote nearly thirty books between 1970 and her suicide in 1994. The majority have not been translated into English and those that have include titles on Kant, Nietzsche and Freud, which is enough to demonstrate rang…

The world as refuge: re-reading The Space of Literature

But where has art led us? To a time before the world, before the beginning. It has cast us out of our power to begin and to end; it has turned us toward the outside where there is no intimacy, no place to rest. It has led us int…

The extreme of literature: Stuff by Charlie Hill

In 1986, the New Musical Express described Maurice Blanchot's The Madness of the Day as a '14-page micro novel' rather than a short story, or even a récit , the form Blanchot had redefined. Thirty years later, the c…

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